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Showing posts from February, 2013

Archiving the Text

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Almost since the first Text Festival (back in 2005), I have had requests from researchers and artists to access the Text Festival Archive. Generally, while trying to be supportive to their needs, I have put them off 'accessing the archive' because it didn't exist - except in dispersed boxes, cupboards and filing systems. I hasten to add that the art collection - works commissioned, acquired, etc - arising from the festival was safely stored in the vaults. But this didn't get away from the absence of an archive. There was a reason for this: generally, I am more interested in what I am going to do next rather than what I have previously done. Over the years the occasional requests for access have increased because there have now been 3 festivals plus various projects between - most recently the Text show in Tampere, Finland - people interested in studying/using the Text naturally assume that it must have a significant volume by now. It does, but is still not in a usa

The Dark Would Preview

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THE DARK WOULD language art anthology will be previewed at the Southbank Centre in London on 6 Feb, 8-9.30pm. Material from both volumes will be shown and there will be readings and a panel-led discussion around the issues raised by the anthology. A gallery launch event for both volumes will take place in April, again in London.  Preview of a new, pioneering anthology of text artists and poets, which includes work by over 100 contributors including Richard Long, Fiona Banner, Maggie O' Sullivan, Tacita Dean, Ron Silliman, Shin Tanabe, Marton Koppany, Tom Phillips, Tsang Kin-Wah, Charles Bernstein, Susan Hiller, Tony Lopez, Caroline Bergvall, Sarah Sanders, Kay Rosen, Rosemarie Waldrop, Robert Grenier, Me , and many, many more.  Join us in the Southbank Poetry Library for a set of readings and a panel discussion by artists and poets. Chairing the discussion and fielding audience questions are THE DARK WOULD editor Philip Davenport, poet Carol Watts and artist Liz Col