Palatine. descending begins with both registers. of the sequence are important. the undiagnosed wait. a. shimmering caused by the highest perceivable frequency and the inability to focus on the multitude of rising tones. Rise and going. Proposed that the piece be revised and realized the lower threshold won’t be treated as if it is between the upper and the lower threshold, rather all entrances are timed in such a way that the ratio between successive pitches is the subsequent voice imitates the initial voice only weakening. the peristaltic itinerary of thought stooping to the prone who must shade. the ability to breathe necessary to stay alive; iff not sufficient to stay alive, there is categorically no upper threshold – but the pause/non-zero on the landing to breathe necessary (to be) above an illusion of ever-deeper, should be used only for uncomplicated work of short breath. Amusia the collapsing material. Vertigo o the Cut for a crashing chord. the scale of a moment of first or last anniversary in between and leaving footfalls as the breathers and catalysis. Amusia? Pedagogy us only with amusia. spiral similarity equals a dilatative rotation, the product of a dilatation and rotation – the upper and lower thresholds exactly one octave apart.
July 03, 2008
Mirror Canon Snips in Melbourne
Mirror Canon Snips has been installed in The DrawingSpace - Melbourne. Here is an extract of the text (which forms part of the "Space" series of projects, following from Edinburgh, Reykjavik and next Berlin) More images from the installation when I get back from Budapest.
Gaza, Take This Cup from Me
a Compendious Book on Guernica reruns in a place Urim and Thummim chose to transform every figure A cheap breastplate as random as desul...
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I had expected today to blog about the future of curating because I attended the Renaissance North West Conference "Curating for the Fu...
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Is 2023 a year in some form of demonic possession? It’s been pretty dark for us so far but strangely one of my most productive writing perio...
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Soon after arriving in Portugal, I was introduced to the American artist Marsha McDonald by the inestimable Marton Koppany. It's a smal...